Consciousness While Reading -- Is It Visual? Imagistic? Auditory?
Some people say they speak silently to themselves when they read; others say they don't do that, but do entertain visual imagery. Others claim to do neither but rather only to see the page and take it in. Melanie, whom Russ Hurlburt and I interviewed at length in our recent book about conscious experience, reports no visual experience of the written page at all; rather, she experiences only the images, thoughts, and emotions that the text creates in her. (No visual experience of the page whatsoever? Wow, that's hard for me to imagine!)
Maybe people are very different in how they experience reading. If so, I know of no systematic studies. (Of course there are plenty of studies of differences in reading skill, in the use of the eyes on the page, on the sorts of errors people make, etc., but that's quite different.) If there is such variation, it could potentially be very useful to reading teachers (and poets?) to take advantage of it.
Or maybe people differ mainly in their reports about how they read, while their experiences are all very broadly speaking the same. (We do have, I think, false general impressions about our stream of experience quite often.) So it would be neat, before going too far out on a limb here, to get some external corroboration for the reports.
It's easy to think up cute experiments:
* People who speak silently to themselves while reading would tend, I'd think, to have strong impressions about how to pronounce unusual names they find in the text (it's GOLL-um, dammit, not GOAL-um!); people who are more strictly imagers may not. Experimenters could pronounce a name in an unusual way and measure (a) likelihood of being corrected by the subject, (b) skin conductance (a measure of stress), or (c) attentional blink (poor performance on an immediately subsequent task).
* People who say they hear the text aloud sometimes claim to hear it mostly in their own voice; others claim to hear the author's (imagined) voice or the characters' voices. The latter sort of reader, but not the former, may show additional facility or impairment when an external voice or sound is presented that matches or mismatches the characteristics of the author's or characters' voices.
* People who visually experience the page may have better memory for visual details of the text than people who do not.
Etc.
If the results of such measures align neatly with people's self-reports, great! There may really be a phenomenon here worth studying.
So many experiments, so little time!